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Jack and The Beanstalk directed by Mike Turner and Pauline Boyce

Jack and the Beanstalk January 2023

In this NODA pantomime written by Colin Barrow, Dame Daphne Buttock is faced with eviction for not paying her rent and is forced to sell her cow Daisy, to raise funds to pay the brokers men, Rack and Ruin. Daisy is sold to Hemlock not for beans but for a bag of gold pieces which soon magically change to beans. Hemlock captures Princess Jillian and takes her and Daisy the Cow to the Giant from where they must be rescued.

 

We meet all the typical panto characters and I lost count of all the corny jokes and the audience entered fully into the spirit of this traditional panto. The opportunity was taken to add a few topical jokes too – could the Chairman of the BBC arrange a loan for poor Daphne Buttock to pay her rent? Daphne played by David Vas presented the character well taking advantage to show off her splendid costumes. Following the opening number of Justin Timberlake's ‘Can't stop the feeling' we meet Princess Jillian (Sophie Williams) and Jack Buttock (Lizzy Waterhouse) our romantic leads, who sang an endearing ‘Opposite Your Smile'.

Jack's brother Simple Simon played by Alex Fitzgerald, kept the action upbeat and this went up a further notch with the entrance of the nasty Hemlock played by Simon Billingham, who held the stage well and engaged with the audience accordingly. We hated him - great stuff! Naturally the balance had to be restored, by a pleasing Fairy played by Sarah Earl. Rack and Ruin, that well-known double act Kathy Othen and Ruth Hammond, added to the fun and their ‘Rice Pudding' sequence for numerous £10 notes worked very well – although not for Ruin! Another double act Daisy the Cow (Tom Oliver & Marcia Bennett) managed to find a way of dispensing milk already packaged!

 

Chris Marsh played a majestic King and I enjoyed his ‘Tea for Two' duet with Daphne in Act 2. Six dancers combined from the Kirsty Purvis School of Dance, Focal Pointe School of Dance and the Crescent Ballet School, made a nice contribution, particularly their ‘Skeleton' dance which was very effective. Hugh Rayner added his off-stage voice to a significant giant Blunderbore and Becky Weir played The Ghost, without whom of course the ‘It's behind you' scene would not work.

 

The set, including some well painted backcloths looked really good and Lucas Ball and Tim Stock on piano and drums provided sensitive support to the singers. I was pleased to see Mike Turner back at the helm directing and ably supported by Pauline Boyce.

 

Bruce Wyatt

 

 

Dick Whittington

DATE SOCIETY VENUE TYPE OF PRODUCTION DIRECTOR MUSICAL DIRECTOR CHOREOGRAPHER
27th January 2022
Ombersley Dramatic Society
Hartlebury Parish Hall
Pantomime
David Goode
Lucas Ball
Kirsty Purvis

Report

Author: Bruce Wyatt

After a two-year enforced break, ODS were back with their first panto at their now established new venue of  Hartlebury Parish Hall. New members had been introduced to the team and it was obvious that they had all been working hard during recent months in preparing for “Dick Whittington”, under the directorship of David Goode.

Lizzy Waterhouse warmly opened the action as the ‘Spirit of London' in traditional panto style, soon to be joined by Tom Oliver as the evil ‘King Rat', tall and imposing in search of the map to buried treasure. The map belonged to ‘Alderman Fitzwarren' played convincingly by Hugh Raymer who maintained a strong performance throughout.  ‘Dick' (Lucy Middleton) with his feline accomplice ‘Tiddles' (Sophie Williams) worked well together and ‘Alice' (Alisha Morgan-James) gave a bright and well- spoken performance. Lucy and Alisha sang well with great presence and I liked their duet ‘Make you feel my love' by Adele.

Just about everyone contributed to an almost continuous stream of corny jokes to exercise the chuckle muscles, none less than David Vas and Alex Fitzgerald as ‘Dame Sarah' and ‘Barrow Boy Billy' respectively. The fact that they and the rest of the cast were enjoying themselves, the noisey responses from the audience were mutually infectious.

Good support too from King Rat's sidekicks ‘Nip and Tuck' (Kathy Othen and Ruth Hammond) along with six young members of his rat army, who moved well to Kirsty Purvis' choreography. The chorus of townspeople and pirates brought a rousing opening number ‘The Lambeth Walk' and concluded Act 1 with ‘In the Navy'.

In Act 2 we meet ‘Captain Long John Tinfoil' (Jacci Phillips) who gave us a confident performance as the suitably shifty pirate. When it comes to traditional panto, you can't beat the ghost (Bernadette Phillips) scene for anticipating the action and the audience reaction which works.

The cast were accompanied by piano and drums which was just right and a great job had been done with the set and the costumes. With very little room side stage, entrances and exits were well handled.

Historically ODS normally perform a panto every other year, but I feel they might consider one every year? One thing I can be sure of, is their usual warm welcome and I look forward to their next production in May.

This was a new version of the popular family pantomime by Adrian Barradell and although the story line is generally well known, I was pleasantly surprised that the script in the opening scenes explained the plot and introduced the characters for any first timers.

 

Kerry Horne played ‘Cinderella' with a smiling face that could light up any cold January evening and a perfect demeanour for the role. Forever hopeful of a romantic connection with Cinders, Alex Fitzgerald was an endearing and expressive ‘Buttons' and actually needed no introduction given the large buttons on his tunic were a bit of a giveaway!

 

Of course Cinders is always being chastised by her overbearing step mother (‘Baroness Hardup') and step- sisters (‘Hyacinth' & Lowercinth') and no loss of opportunity is taken by Kate Joels, Jacci Phillips and Ruth Hammond respectively, to take full advantage. Jacci and Ruth's opening number ‘Sisters' and later ‘It's Raining Men' were great fun! Meanwhile ‘Baron Hardup' the brow beaten husband to the Baroness was played with great strength by Chris Marsh.

 

Entering the scene came ‘Prince Charming' and ‘Dandini' played convincingly by Kathy Othen and Tracy Venables, who as the story dictates swop roles, to assist the Prince in his quest for romance. We also meet ‘Rough ‘and ‘Ready' (Graham Clarke & David Vas) two rent collectors, who had some amusing scenes together playing money tricks on the Baron and with each other.

 

I must congratulate the youngsters amongst the cast; Sophie Williams, Lucy Joels-Peay, Erin Joels-Peay and Phoebe Horne who played their part well, together with the adult chorus. The scenery was effective, the costumes impressive and the two piece band provided just the right amount of support.

 

No panto is complete without the good fairy and the ‘Fairy Godmother' was played with great charm and poise by Pauline Boyce. ‘Major Domo' was played with great stature by Tony Checketts and further comedic moments were added by Tina Dyble as ‘Madame Olga' and Nick Brown as ‘Herald'. In fact, comedy was one of the strengths of this well written pantomime together with the community spirit that exists throughout ODS, all of which make for a great evening's entertainment I really enjoyed.

 

Bruce Wyatt

What I did at School today by John Mee directed by Chris Marsh

 

This was an excellent choice of play, by I would suggest a little known author John Mee, but it had all the comedy ingredients, set in the staffroom of a junior school following their recent school inspection. With apologies to the best of the teaching profession, the set had everything you might imagine in an untidy school staffroom, with a scheming Head and female staff who were either lazy, disgruntled or disinterested. Even the hamster had been poorly cared for!

The Headmaster ‘Clive Beasley’ played well by Chris Hall kept the action moving, as he contrived to raise school funds whilst improving his CV. ‘Mrs Jubb’ his long suffering secretary played by Pauline Boyce, delivered some delicious lines well, whilst the caretaker ‘Maxine’ played by Kate Joels, berated both students and staff with equal relish.

The female staff portrayed a range of characters well; from Tracey Venables conscientious and likeable ‘Kate Faraday’, to Kerry Horne’s ‘Jenny Peasgood’ who tipped for promotion had a complete fear of teaching. Jacci Phillips gave a convincing performance as ‘Liz Nicholas’ with more of an eye for the new supply teacher, than teaching itself and Leigh Surtees demonstrated total indifference to teaching as ‘Pat Lowther’, who announced volunteering for the Samaritans was a great deal more exciting.

Into the action arrives a new Supply Teacher ‘Dan Thomson’ played by Steve Willis, as scenes unravel with an old university flame ‘Kate’, the romantic advances of ‘Liz’ and confusion over sexual orientation with the Head and misunderstood advances to ‘Jenny’, all played out solidly and convincingly.

The cast was completed with great support from Tina Dyble (‘Emma’) and Ruth Hammond (‘Holly’) as the mischievous students, parents ‘Mr and Mrs Smedley-Allen’ played by Simon Billington and Clare Marsh, together with ‘Councillor Tate’ played by Tony Checketts.

Lighting and sound added to the atmosphere and the shortage of space side-stage will have impeded the speed of some entrances, but this was a well directed piece by Chris Marsh and the whole company should be pleased with the result.

Bruce Wyatt

(Representative District10)

 

Robinson Crusoe directed by Mike Turner

Murder Weekend directed by Liz Whitehouse & Hugh Raymer

Ombersley Dramatic Society – Robinson Crusoe (a family pantomime)It may be a small village Society but this performance was a huge success. The hall was full which helps to create a warm and welcoming atmosphere as you enter. The audience was involved from start to finish and the  thirteen strong cast squeezed all the fun out every situation and were well supported by the Adult and Junior Chorus’s. David Goode (Mrs. Crusoe – Robinson’s mother) had the juiciest role and made the most of it, but the whole cast were superb. At the interval tea, coffee and soft drinks (and biscuits) were served free of charge to the audience in their seats. Yet another homely offering and much appreciated. The production team involved twenty eight members of the Society and every aspect of the  production was in keeping with the delightful laugh a minute performance The pantomime was by arrangement with NODA and as it’s representative for District 10 (Worcester West) I was delighted for both the quality of the performance and the script. The accompaniment by Piano and Drum/Percussion provided just the right sound for the small hall. Lighting, costumes, and scenery were in keeping with the overall quality of  the show. This was pantomime at its best, performed by the village for the village and anyone who was fortunate to see it. 04/02/15 Trevor Guest

Biilled as a Comedy-Thriller the suspense as guests gathered in one’s and two’s at a country hotel. The whole cast was suspect as the full house audience tried to work out who was going to do it, or had it already been done? As the nine strong cast were introduced to each other and the audience it was obvious that there was some dirty work afoot with some guests’ already having long clandestine affairs. Livia Wagstaff excellently played  by Tracey Venables was surprised when long time lover Ashley McAvoy  (Graham Clarke) and his wife Patsy turned up and the opportunities to carry on were numerous but usually interrupted. Mrs Johnson (Pauline Boyce) the hotel proprietor, seemed to be at the heart of the possible murder but was only a red herring. Come to think of it the whole cast were red herrings until the truth was outed by ( shan’t tell you in case you see it at another venue and I don’t wish to spoil the ending for you). An excellent production all round with an accomplished cast. This lovely small village Society always delights me with the warmth of their welcome and hospitality and with tea or coffee and chocolate biscuits in the interval served by their members. Who could ask for more.Trevor Guest

Wife After Death directed by Chris Marsh and Pauline Boyce Team Spirit directed by Tracy Venables

This comedy written by Eric Chappell, the writer of the BBC hit Rising Damp, is very funny indeed and kept the audience in fits of laughter throughout. The play opened where  Laura Thursby (Kate Joels) late husband, a professional comedian had died and the coffin containing the corpse is on trestles in the sitting room waiting to be taken to the nearby Church. Vi Barrett (Liz Whitehouse) and her husband Harvey, (Hugh Raymer), who was a script writer for the deceased and his best friend, (so he thought), Kevin Prewitt (David Vas) his wife Jane (Iris Checketts) and Kay (Tracy Venables) completed the excellent cast. All five of them had a differing viewpoint on the deceased’s life as the revelations about his extra marital affairs began to surface. It turned out that he had had long standing affairs with all three wives Vi, Jane and Kay (and probably others) which brought side splitting laughter to the audience but consternation and disbelief .to his friends and lovers. This small village Society performs for three nights to sell out audiences of about one hundred each night and there is a wonderful atmosphere in the compact Village Hall. The excellent set and lighting enhanced the whole performance. A superb production all round by the two Directors Chris Marsh and Pauline Boyce and the talented cast. 

Team Spirit is a completely new play to me written by Jeremy Carrad and somewhat similar to the very successful play and film ‘Quartet’. The residents at Oldthorpe House are all elderly retired Officers of Her Majesty’s Forces and when a new resident arrives and turns out to be a woman, shock horror! This shatters the tranquillity of their lives which is compounded by reports that one of the Officer’s has allegedly committed an atrocity on French civilians during the last war. The fourteen strong cast made the most of the humour and pathos of the piece which of course is brought to a satisfactory conclusion. This is a lovely small village Society and the performance in the cosy village hall delighted an appreciative audience. This is a first production for Tracey Venables and a very good one too. No doubt we shall see others directed by her in the future. An excellent set, sound and lighting enhanced the production and we even had tea or coffee delivered to us in our seats during the interval. What else could one wish for? The enthusiasm and quality of the performances was palpable from all involved. I enjoyed the play immensely and so did the full house audience.