Jack and the Beanstalk January 2023
In this NODA pantomime written by Colin Barrow, Dame Daphne Buttock is faced with eviction for not paying her rent and is forced to sell her cow Daisy, to raise funds to pay the brokers men, Rack and Ruin. Daisy is sold to Hemlock not for beans but for a bag of gold pieces which soon magically change to beans. Hemlock captures Princess Jillian and takes her and Daisy the Cow to the Giant from where they must be rescued.
We meet all the typical panto characters and I lost count of all the corny jokes and the audience entered fully into the spirit of this traditional panto. The opportunity was taken to add a few topical jokes too – could the Chairman of the BBC arrange a loan for poor Daphne Buttock to pay her rent? Daphne played by David Vas presented the character well taking advantage to show off her splendid costumes. Following the opening number of Justin Timberlake's ‘Can't stop the feeling' we meet Princess Jillian (Sophie Williams) and Jack Buttock (Lizzy Waterhouse) our romantic leads, who sang an endearing ‘Opposite Your Smile'.
Jack's brother Simple Simon played by Alex Fitzgerald, kept the action upbeat and this went up a further notch with the entrance of the nasty Hemlock played by Simon Billingham, who held the stage well and engaged with the audience accordingly. We hated him - great stuff! Naturally the balance had to be restored, by a pleasing Fairy played by Sarah Earl. Rack and Ruin, that well-known double act Kathy Othen and Ruth Hammond, added to the fun and their ‘Rice Pudding' sequence for numerous £10 notes worked very well – although not for Ruin! Another double act Daisy the Cow (Tom Oliver & Marcia Bennett) managed to find a way of dispensing milk already packaged!
Chris Marsh played a majestic King and I enjoyed his ‘Tea for Two' duet with Daphne in Act 2. Six dancers combined from the Kirsty Purvis School of Dance, Focal Pointe School of Dance and the Crescent Ballet School, made a nice contribution, particularly their ‘Skeleton' dance which was very effective. Hugh Rayner added his off-stage voice to a significant giant Blunderbore and Becky Weir played The Ghost, without whom of course the ‘It's behind you' scene would not work.
The set, including some well painted backcloths looked really good and Lucas Ball and Tim Stock on piano and drums provided sensitive support to the singers. I was pleased to see Mike Turner back at the helm directing and ably supported by Pauline Boyce.
Bruce Wyatt
Dick Whittington
DATE
27th January 2022 |
SOCIETY
Ombersley Dramatic Society |
VENUE
Hartlebury Parish Hall |
TYPE OF PRODUCTION
Pantomime |
DIRECTOR
David Goode |
MUSICAL DIRECTOR
Lucas Ball |
CHOREOGRAPHER
Kirsty Purvis |
Report
Author: Bruce Wyatt
After a two-year enforced break, ODS were back with their first panto at their now established new venue of Hartlebury Parish Hall. New members had been introduced to the team and it was obvious that they had all been working hard during recent months in preparing for “Dick Whittington”, under the directorship of David Goode.
Lizzy Waterhouse warmly opened the action as the ‘Spirit of London' in traditional panto style, soon to be joined by Tom Oliver as the evil ‘King Rat', tall and imposing in search of the map to buried treasure. The map belonged to ‘Alderman Fitzwarren' played convincingly by Hugh Raymer who maintained a strong performance throughout. ‘Dick' (Lucy Middleton) with his feline accomplice ‘Tiddles' (Sophie Williams) worked well together and ‘Alice' (Alisha Morgan-James) gave a bright and well- spoken performance. Lucy and Alisha sang well with great presence and I liked their duet ‘Make you feel my love' by Adele.
Just about everyone contributed to an almost continuous stream of corny jokes to exercise the chuckle muscles, none less than David Vas and Alex Fitzgerald as ‘Dame Sarah' and ‘Barrow Boy Billy' respectively. The fact that they and the rest of the cast were enjoying themselves, the noisey responses from the audience were mutually infectious.
Good support too from King Rat's sidekicks ‘Nip and Tuck' (Kathy Othen and Ruth Hammond) along with six young members of his rat army, who moved well to Kirsty Purvis' choreography. The chorus of townspeople and pirates brought a rousing opening number ‘The Lambeth Walk' and concluded Act 1 with ‘In the Navy'.
In Act 2 we meet ‘Captain Long John Tinfoil' (Jacci Phillips) who gave us a confident performance as the suitably shifty pirate. When it comes to traditional panto, you can't beat the ghost (Bernadette Phillips) scene for anticipating the action and the audience reaction which works.
The cast were accompanied by piano and drums which was just right and a great job had been done with the set and the costumes. With very little room side stage, entrances and exits were well handled.
Historically ODS normally perform a panto every other year, but I feel they might consider one every year? One thing I can be sure of, is their usual warm welcome and I look forward to their next production in May. |